…Even our heart suffers and pains
is fully occupied and “drifted” by love
and with bouzouki and guitars
sings softly and sweet like a bird…
Tribute entitled “Rebetika of War and Occupation”. In October 2019 and 2020 at the Multicultural Center “Dieleusis” was held a Tribute entitled “Rebetika of War and Occupation” which expresses the patriotism of rebates during the German-Italian occupation in Greece during WW II with commentary on historical events.
June 19 and 20, 2011 at the hall of “Parnassos Philological Association”. The aim of the presentation was focused on the unity of Greek music
“Rebetiko’s Footprints in Piraeus Neighborhoods”. 21 and 22, March 2014 we presented a tribute to the “Rebetiko’s Footprints in Piraeus Neighborhoods” at the Piraeus Municipality’s
“The Minore of Amerika” (2018-2019) A musical-theatrical performance that records and sings the timeless adventure of our people, with songs that accompanied Greek immigrants to
At the portokaliradio program “Memories of Sounds” 4-2-2016 Kostas Giannakopoulos hosted George Makris on the occasion of the event “Footprints of rebetiko in Piraeus neighborhoods”.
“Opou Giorgos ke malama” A theatrical-musical performance dedicated to the poet-composer George Mitsakis in a dramaturgical treatment by George Makris based on the book “George
Interview for Seminar-Meeting in Skyros” “105.5 in red” 23-06-2013 in the program of George Xylouris with songs and discussion in the live broadcast.
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Proceedings of the rebetiko seminar-meetings in Skyros are posted on the website of the seminar. Among others you can find a historical and sociological approach of the development of rebetiko song, the names of the musical scales (dromoi) in rebetika, historical references to the life and work of great composers, singers and skilled players of rebetiko (Thanasis Manetas, Costas Bezos (A. Kostis), Marika Papagika, Panagiotis Tountas, George Mitsakis, Giannis Papaioannou, Costas Kaplanis), even for not famous but not less important musicians of the interwar period (Kostas Faltaits, Grigoris Asikis, Dimitris Atraidis, Giakoumis Montanaris, Costas Tzovenos, Stavros Pantelidis) but also personal information for the not famous Urban musicians.
Historical data for Mortes, Koutsavakia and Magkes. You can also find Fado and rebetiko social relationships, an interesting approach titled “women in rebetiko” by the rebetiko researcher Gail Holst-Warhaft, an approach to the dances of 9, information about the flowering of rebetiko in Piraeus, the imprints of rebetiko in the neighborhoods of Piraeus, the growth of rebetiko in Thessaloniki and of course the rebetiko in Finland as well as personal revelations how the rebetiko touches our soul.