…Even our heart suffers and pains
is fully occupied and “drifted” by love
and with bouzouki and guitars
sings softly and sweet like a bird…
“Parapetamenoi” and Nida Ates. After an invitation made by the Bursa region and Nida Ates, a joint concert with “Parapetamenoi” and our Turkish friend Nida Ates was held at the BAOB Oditoryum Theater in Bursa on May 7, 2018.
A full-length interview on the activities of “Parapetamenoi” given by George Makris in the e-magazine of the POLITISMOS website – MUSEUM OF GREEK HISTORY active
Music events March 10, 2013 and September 20, 2013 in collaboration with the Egaleo Municipal’s Philharmonic, the Choir and the Dance Group of the Hellenic
A tribute to the bouzouki master Spiros Goumas organized by Paris Mitsou in the music scene “1002 nights” March 19, 2013 with “Parapetamenoi” band.
Concert of the 11th high school-Nikaia with the participation of the dancing group, the choir of the same school as well, with the supervision of
State Radio 105.8 FM on 27/4/2001, 6/2/2002, 28/12/2002 and in May 2003 on the broadcast of Panos Savopoulos in a tribute of Vangelis Papazoglou.
Musical Presentation “Mortes-Koutsavakia-Magkes” in November 2017 at Multicultural center “dieleusis” with the help of digital and photographic material. Collection and presentation of digital material by
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Proceedings of the rebetiko seminar-meetings in Skyros are posted on the website of the seminar. Among others you can find a historical and sociological approach of the development of rebetiko song, the names of the musical scales (dromoi) in rebetika, historical references to the life and work of great composers, singers and skilled players of rebetiko (Thanasis Manetas, Costas Bezos (A. Kostis), Marika Papagika, Panagiotis Tountas, George Mitsakis, Giannis Papaioannou, Costas Kaplanis), even for not famous but not less important musicians of the interwar period (Kostas Faltaits, Grigoris Asikis, Dimitris Atraidis, Giakoumis Montanaris, Costas Tzovenos, Stavros Pantelidis) but also personal information for the not famous Urban musicians.
Historical data for Mortes, Koutsavakia and Magkes. You can also find Fado and rebetiko social relationships, an interesting approach titled “women in rebetiko” by the rebetiko researcher Gail Holst-Warhaft, an approach to the dances of 9, information about the flowering of rebetiko in Piraeus, the imprints of rebetiko in the neighborhoods of Piraeus, the growth of rebetiko in Thessaloniki and of course the rebetiko in Finland as well as personal revelations how the rebetiko touches our soul.