…Even our heart suffers and pains
is fully occupied and “drifted” by love
and with bouzouki and guitars
sings softly and sweet like a bird…
“Parapetamenoi” and Nida Ates. After an invitation made by the Bursa region and Nida Ates, a joint concert with “Parapetamenoi” and our Turkish friend Nida Ates was held at the BAOB Oditoryum Theater in Bursa on May 7, 2018.
Tribute entitled “Rebetika of War and Occupation”. In October 2019 and 2020 at the Multicultural Center “Dieleusis” was held a Tribute entitled “Rebetika of War
“Once Upon at Lemonadika” (2019-2020) a story on the “Lemonadika” square of Piraeus with poor devils, rebetes, with ambitions of simple, everyday people without colours
Live media interviews: “The music company of Parapetamenoi” by George Kiousis May 13, 2017 View the full interview here
Press publica “George Makris: Rebetiko seminar in Skyros” by George Kiousis February 23, 2016
Presentation of the music band “Parapetamenoi” in “Rebetiko song” by George Kiousis December 31, 2018. View the full interview here
Concert of the 11th high school-Nikaia with the participation of the dancing group, the choir of the same school as well, with the supervision of
© 2020 parapetamenoi.gr, made with by TUSKS, all rights reserved
Proceedings of the rebetiko seminar-meetings in Skyros are posted on the website of the seminar. Among others you can find a historical and sociological approach of the development of rebetiko song, the names of the musical scales (dromoi) in rebetika, historical references to the life and work of great composers, singers and skilled players of rebetiko (Thanasis Manetas, Costas Bezos (A. Kostis), Marika Papagika, Panagiotis Tountas, George Mitsakis, Giannis Papaioannou, Costas Kaplanis), even for not famous but not less important musicians of the interwar period (Kostas Faltaits, Grigoris Asikis, Dimitris Atraidis, Giakoumis Montanaris, Costas Tzovenos, Stavros Pantelidis) but also personal information for the not famous Urban musicians.
Historical data for Mortes, Koutsavakia and Magkes. You can also find Fado and rebetiko social relationships, an interesting approach titled “women in rebetiko” by the rebetiko researcher Gail Holst-Warhaft, an approach to the dances of 9, information about the flowering of rebetiko in Piraeus, the imprints of rebetiko in the neighborhoods of Piraeus, the growth of rebetiko in Thessaloniki and of course the rebetiko in Finland as well as personal revelations how the rebetiko touches our soul.