…Even our heart suffers and pains
is fully occupied and “drifted” by love
and with bouzouki and guitars
sings softly and sweet like a bird…
In January 2019, a tribute was realized for Yiannis Papaioannou entitled ” I travel with your taximi!” at the Greek Music Center “Fivos Anogianakis”. Collection and presentation of the material by G. Makris and music editing by Sp. Goumas.
Presentation of the music group of “Parapetamenoi” and live recording in the music bar “Makari”. TVC (private TV channel) 27/1/2005. in the program of George
POSPLA street market sellers strike Concert at Syntagma Square on May 2, 2014 with the “Parapetamenoi”
Anthi and Alekos Tsakiris, grandchildren of Grigoris Asikis, together with the bouzouki master and music teacher Spiros Goumas and the music group “Parapetamenoi”, known for
The Cultural center dieleusis with the music group “Parapetamenoi”, the Association of Greek Arts and Evmaros Publications in collaboration with City of Athens Culture, Sports
Tribute entitled “Rebetika of War and Occupation”. In October 2019 and 2020 at the Multicultural Center “Dieleusis” was held a Tribute entitled “Rebetika of War
Press publica: George Makris, Spyros Goumas: “The minore of Amerika” by George Kiousis – April 27, 2018. View the full interview here
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Proceedings of the rebetiko seminar-meetings in Skyros are posted on the website of the seminar. Among others you can find a historical and sociological approach of the development of rebetiko song, the names of the musical scales (dromoi) in rebetika, historical references to the life and work of great composers, singers and skilled players of rebetiko (Thanasis Manetas, Costas Bezos (A. Kostis), Marika Papagika, Panagiotis Tountas, George Mitsakis, Giannis Papaioannou, Costas Kaplanis), even for not famous but not less important musicians of the interwar period (Kostas Faltaits, Grigoris Asikis, Dimitris Atraidis, Giakoumis Montanaris, Costas Tzovenos, Stavros Pantelidis) but also personal information for the not famous Urban musicians.
Historical data for Mortes, Koutsavakia and Magkes. You can also find Fado and rebetiko social relationships, an interesting approach titled “women in rebetiko” by the rebetiko researcher Gail Holst-Warhaft, an approach to the dances of 9, information about the flowering of rebetiko in Piraeus, the imprints of rebetiko in the neighborhoods of Piraeus, the growth of rebetiko in Thessaloniki and of course the rebetiko in Finland as well as personal revelations how the rebetiko touches our soul.