…Even our heart suffers and pains
is fully occupied and “drifted” by love
and with bouzouki and guitars
sings softly and sweet like a bird…
June 19 and 20, 2011 at the hall of “Parnassos Philological Association”. The aim of the presentation was focused on the unity of Greek music from antiquity to the present period. The effort supported with a Byzantine Choir, a group specialized on traditional music and our rebetiko group “Parapetamenoi”.
POSPLA street market sellers strike Concert at Syntagma Square on May 2, 2014 with the “Parapetamenoi”
“Once Upon at Lemonadika” a story on the “Lemonadika” square of Piraeus with poor devils, rebetes, with simple ambitions, everyday people with low profile… and
“Parapetamenoi” and Nida Ates. After an invitation made by the Bursa region and Nida Ates, a joint concert with “Parapetamenoi” and our Turkish friend Nida
“Once Upon at Lemonadika” (2019-2020) a story on the “Lemonadika” square of Piraeus with poor devils, rebetes, with ambitions of simple, everyday people without colours
“The Nostalgy of a Rebetis” (2013-2017) Historiography of our rebetiko and folk music with a combination of pantomime and live music with the meeting of
Radio interview of George Makris of “Parapetamenoi” at “105.5 on red” 22-11-2019 by Thanasis Lazaridis on the radio program “The remains of a Day”.
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Proceedings of the rebetiko seminar-meetings in Skyros are posted on the website of the seminar. Among others you can find a historical and sociological approach of the development of rebetiko song, the names of the musical scales (dromoi) in rebetika, historical references to the life and work of great composers, singers and skilled players of rebetiko (Thanasis Manetas, Costas Bezos (A. Kostis), Marika Papagika, Panagiotis Tountas, George Mitsakis, Giannis Papaioannou, Costas Kaplanis), even for not famous but not less important musicians of the interwar period (Kostas Faltaits, Grigoris Asikis, Dimitris Atraidis, Giakoumis Montanaris, Costas Tzovenos, Stavros Pantelidis) but also personal information for the not famous Urban musicians.
Historical data for Mortes, Koutsavakia and Magkes. You can also find Fado and rebetiko social relationships, an interesting approach titled “women in rebetiko” by the rebetiko researcher Gail Holst-Warhaft, an approach to the dances of 9, information about the flowering of rebetiko in Piraeus, the imprints of rebetiko in the neighborhoods of Piraeus, the growth of rebetiko in Thessaloniki and of course the rebetiko in Finland as well as personal revelations how the rebetiko touches our soul.