…Even our heart suffers and pains
is fully occupied and “drifted” by love
and with bouzouki and guitars
sings softly and sweet like a bird…
June 19 and 20, 2011 at the hall of “Parnassos Philological Association”. The aim of the presentation was focused on the unity of Greek music from antiquity to the present period. The effort supported with a Byzantine Choir, a group specialized on traditional music and our rebetiko group “Parapetamenoi”.
Thanasis Lazaridis “Efsyn” newspaper 3-8-2019. View the full interview here
State Radio 105.8 FM on 27/4/2001, 6/2/2002, 28/12/2002 and in May 2003 on the broadcast of Panos Savopoulos in a tribute of Vangelis Papazoglou.
Press publica George Makris: «The nostalgy of a rebetis» by George Kiousis March 21, 2016 View the full interview here
Tribute: “The woman in rebetiko and folk song”. Organized by the General Secretariat for Gender Equality and the Equality Research Center. With the bouzouki solist
Presentation of the music group of “Parapetamenoi” and live recording in the music bar “Makari”. TVC (private TV channel) 27/1/2005. in the program of George
Music night at the 1st street Market Sellers celebration entitled “The Feast of Feelings” with the rebetiko band “Parapetamenoi” with the participation of the master
Proceedings of the rebetiko seminar-meetings in Skyros are posted on the website of the seminar. Among others you can find a historical and sociological approach of the development of rebetiko song, the names of the musical scales (dromoi) in rebetika, historical references to the life and work of great composers, singers and skilled players of rebetiko (Thanasis Manetas, Costas Bezos (A. Kostis), Marika Papagika, Panagiotis Tountas, George Mitsakis, Giannis Papaioannou, Costas Kaplanis), even for not famous but not less important musicians of the interwar period (Kostas Faltaits, Grigoris Asikis, Dimitris Atraidis, Giakoumis Montanaris, Costas Tzovenos, Stavros Pantelidis) but also personal information for the not famous Urban musicians.
Historical data for Mortes, Koutsavakia and Magkes. You can also find Fado and rebetiko social relationships, an interesting approach titled “women in rebetiko” by the rebetiko researcher Gail Holst-Warhaft, an approach to the dances of 9, information about the flowering of rebetiko in Piraeus, the imprints of rebetiko in the neighborhoods of Piraeus, the growth of rebetiko in Thessaloniki and of course the rebetiko in Finland as well as personal revelations how the rebetiko touches our soul.