…Even our heart suffers and pains
is fully occupied and “drifted” by love
and with bouzouki and guitars
sings softly and sweet like a bird…
Music night at the 1st street Market Sellers celebration entitled “The Feast of Feelings” with the rebetiko band “Parapetamenoi” with the participation of the master of the bouzouki Spyros Goumas, on October 2, 2016 in the open area of “Thision” metro station.
Press publica George Makris: «The nostalgy of a rebetis» by George Kiousis March 21, 2016 View the full interview here
Music events March 10, 2013 and September 20, 2013 in collaboration with the Egaleo Municipal’s Philharmonic, the Choir and the Dance Group of the Hellenic
Music night at the 1st street Market Sellers celebration entitled “The Feast of Feelings” with the rebetiko band “Parapetamenoi” with the participation of the master
On Saturday 23/4/22 12.00-1400 Themis Rodamitis and George Makris in the radio show of Themis Rodamitis “Our city” of “Voice of Greece” present the journey of Greek music in America that accompanied the Greek immigrants to their difficult journey in the late 19th and first half of the 20th century. Do not miss it!
A very interesting interview with Spyros Goumas, in the web magazine “Klika” on September 2017.A multi-dimensional and multi-thematic discussion, which goes from his personal memories
Anthi and Alekos Tsakiris, grandchildren of Grigoris Asikis, together with the bouzouki master and music teacher Spiros Goumas and the music group “Parapetamenoi”, known for
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Proceedings of the rebetiko seminar-meetings in Skyros are posted on the website of the seminar. Among others you can find a historical and sociological approach of the development of rebetiko song, the names of the musical scales (dromoi) in rebetika, historical references to the life and work of great composers, singers and skilled players of rebetiko (Thanasis Manetas, Costas Bezos (A. Kostis), Marika Papagika, Panagiotis Tountas, George Mitsakis, Giannis Papaioannou, Costas Kaplanis), even for not famous but not less important musicians of the interwar period (Kostas Faltaits, Grigoris Asikis, Dimitris Atraidis, Giakoumis Montanaris, Costas Tzovenos, Stavros Pantelidis) but also personal information for the not famous Urban musicians.
Historical data for Mortes, Koutsavakia and Magkes. You can also find Fado and rebetiko social relationships, an interesting approach titled “women in rebetiko” by the rebetiko researcher Gail Holst-Warhaft, an approach to the dances of 9, information about the flowering of rebetiko in Piraeus, the imprints of rebetiko in the neighborhoods of Piraeus, the growth of rebetiko in Thessaloniki and of course the rebetiko in Finland as well as personal revelations how the rebetiko touches our soul.