Press publica: George Makris, Spyros Goumas: Tribute to the great folk composer Dimitris-Gogos Bayanderas by George Kiousis, November 24, 2018
View the full interview here
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Press publica: George Makris, Spyros Goumas: Tribute to the great folk composer Dimitris-Gogos Bayanderas by George Kiousis, November 24, 2018
View the full interview here
Press publica: George Makris, Spyros Goumas: “The minore of Amerika” by George Kiousis – April 27, 2018. View the full interview here
“Parapetamenoi” and Nida Ates. After an invitation made by the Bursa region and Nida Ates, a joint concert with “Parapetamenoi” and our Turkish friend Nida
“The Other World” November 1, 2016, Anna Faltaits, Vice President of the Museum “Manos and Anastasia Faltaits” presented the work of the journalist Konstantinos Faltaits
State Radio 105.8 FM on 27/4/2001, 6/2/2002, 28/12/2002 and in May 2003 on the broadcast of Panos Savopoulos in a tribute of Vangelis Papazoglou.
Anthi and Alekos Tsakiris, grandchildren of Grigoris Asikis, together with the bouzouki master and music teacher Spiros Goumas and the music group “Parapetamenoi”, known for
“The Nostalgy of a Rebetis” (2013-2017) Historiography of our rebetiko and folk music with a combination of pantomime and live music with the meeting of
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Proceedings of the rebetiko seminar-meetings in Skyros are posted on the website of the seminar. Among others you can find a historical and sociological approach of the development of rebetiko song, the names of the musical scales (dromoi) in rebetika, historical references to the life and work of great composers, singers and skilled players of rebetiko (Thanasis Manetas, Costas Bezos (A. Kostis), Marika Papagika, Panagiotis Tountas, George Mitsakis, Giannis Papaioannou, Costas Kaplanis), even for not famous but not less important musicians of the interwar period (Kostas Faltaits, Grigoris Asikis, Dimitris Atraidis, Giakoumis Montanaris, Costas Tzovenos, Stavros Pantelidis) but also personal information for the not famous Urban musicians.
Historical data for Mortes, Koutsavakia and Magkes. You can also find Fado and rebetiko social relationships, an interesting approach titled “women in rebetiko” by the rebetiko researcher Gail Holst-Warhaft, an approach to the dances of 9, information about the flowering of rebetiko in Piraeus, the imprints of rebetiko in the neighborhoods of Piraeus, the growth of rebetiko in Thessaloniki and of course the rebetiko in Finland as well as personal revelations how the rebetiko touches our soul.