…Even our heart suffers and pains
is fully occupied and “drifted” by love
and with bouzouki and guitars
sings softly and sweet like a bird…
Press publica George Makris: «The nostalgy of a rebetis» by George Kiousis March 21, 2016
View the full interview here
“The Other World” November 1, 2016, Anna Faltaits, Vice President of the Museum “Manos and Anastasia Faltaits” presented the work of the journalist Konstantinos Faltaits
Tribute to the great folk composer Dimitris Gogos-Bayanderas. March 20, 2016 Saint Paul Greek-French School in Piraeus. Collection of material and presentation: Katerina Vlachou, music
State Radio 105.8 FM on 27/4/2001, 6/2/2002, 28/12/2002 and in May 2003 on the broadcast of Panos Savopoulos in a tribute of Vangelis Papazoglou.
“Once Upon at Lemonadika” a story on the “Lemonadika” square of Piraeus with poor devils, rebetes, with simple ambitions, everyday people with low profile… and
On Saturday 23/4/22 12.00-1400 Themis Rodamitis and George Makris in the radio show of Themis Rodamitis “Our city” of “Voice of Greece” present the journey of Greek music in America that accompanied the Greek immigrants to their difficult journey in the late 19th and first half of the 20th century. Do not miss it!
In January 2019, a tribute was realized for Yiannis Papaioannou entitled ” I travel with your taximi!” at the Greek Music Center “Fivos Anogianakis”. Collection
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Proceedings of the rebetiko seminar-meetings in Skyros are posted on the website of the seminar. Among others you can find a historical and sociological approach of the development of rebetiko song, the names of the musical scales (dromoi) in rebetika, historical references to the life and work of great composers, singers and skilled players of rebetiko (Thanasis Manetas, Costas Bezos (A. Kostis), Marika Papagika, Panagiotis Tountas, George Mitsakis, Giannis Papaioannou, Costas Kaplanis), even for not famous but not less important musicians of the interwar period (Kostas Faltaits, Grigoris Asikis, Dimitris Atraidis, Giakoumis Montanaris, Costas Tzovenos, Stavros Pantelidis) but also personal information for the not famous Urban musicians.
Historical data for Mortes, Koutsavakia and Magkes. You can also find Fado and rebetiko social relationships, an interesting approach titled “women in rebetiko” by the rebetiko researcher Gail Holst-Warhaft, an approach to the dances of 9, information about the flowering of rebetiko in Piraeus, the imprints of rebetiko in the neighborhoods of Piraeus, the growth of rebetiko in Thessaloniki and of course the rebetiko in Finland as well as personal revelations how the rebetiko touches our soul.