…Even our heart suffers and pains
is fully occupied and “drifted” by love
and with bouzouki and guitars
sings softly and sweet like a bird…
Music events March 10, 2013 and September 20, 2013 in collaboration with the Egaleo Municipal’s Philharmonic, the Choir and the Dance Group of the Hellenic Center for Folk Studies EL.KE.LA.M, “Parapetamenoi” played rebetika songs in central square of the city and “Alexis Minotis” theater respectively.
A seminar for four consecutive Sundays, from January 13, 2013 to February 3, 2013, at “Fivos Anogianakis” Museum of Greek Folk Music in collaboration with
A very interesting interview with Spyros Goumas, in the web magazine “Klika” on September 2017.A multi-dimensional and multi-thematic discussion, which goes from his personal memories
George Makris interview with the “Parapetamenoi” at “105.5 on red” 25-10-2018 by Thanasis Lazaridis in the “Remains of a Day” program.
Presentation of the music band “Parapetamenoi” in “Rebetiko song” by George Kiousis December 31, 2018. View the full interview here
“The Minore of Amerika” (2018-2019) A musical-theatrical performance that records and sings the timeless adventure of our people, with songs that accompanied Greek immigrants to
Tribute: “The woman in rebetiko and folk song”. Organized by the General Secretariat for Gender Equality and the Equality Research Center. With the bouzouki solist
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Proceedings of the rebetiko seminar-meetings in Skyros are posted on the website of the seminar. Among others you can find a historical and sociological approach of the development of rebetiko song, the names of the musical scales (dromoi) in rebetika, historical references to the life and work of great composers, singers and skilled players of rebetiko (Thanasis Manetas, Costas Bezos (A. Kostis), Marika Papagika, Panagiotis Tountas, George Mitsakis, Giannis Papaioannou, Costas Kaplanis), even for not famous but not less important musicians of the interwar period (Kostas Faltaits, Grigoris Asikis, Dimitris Atraidis, Giakoumis Montanaris, Costas Tzovenos, Stavros Pantelidis) but also personal information for the not famous Urban musicians.
Historical data for Mortes, Koutsavakia and Magkes. You can also find Fado and rebetiko social relationships, an interesting approach titled “women in rebetiko” by the rebetiko researcher Gail Holst-Warhaft, an approach to the dances of 9, information about the flowering of rebetiko in Piraeus, the imprints of rebetiko in the neighborhoods of Piraeus, the growth of rebetiko in Thessaloniki and of course the rebetiko in Finland as well as personal revelations how the rebetiko touches our soul.