…Even our heart suffers and pains
is fully occupied and “drifted” by love
and with bouzouki and guitars
sings softly and sweet like a bird…
Live media interview “Parapetamenoi” May 14, 2017 for the international rebetiko seminar-meeting in Skyros Island by George Kiousis.
View the full interview here
In March 2019, a musical tribute was held for the Greek musician from Constantinople Gregory Asikis entitled “Blooming path your Music …” at the “Underflow
Press publica George Makris: «The nostalgy of a rebetis» by George Kiousis March 21, 2016 View the full interview here
At the portokaliradio program “Memories of Sounds” 4-2-2016 Kostas Giannakopoulos hosted George Makris on the occasion of the event “Footprints of rebetiko in Piraeus neighborhoods”.
A full-length interview on the activities of “Parapetamenoi” given by George Makris in the e-magazine of the POLITISMOS website – MUSEUM OF GREEK HISTORY active
Tribute entitled “Rebetika of War and Occupation”. In October 2019 and 2020 at the Multicultural Center “Dieleusis” was held a Tribute entitled “Rebetika of War
Press publica: George Makris, Spyros Goumas: Tribute to the great folk composer Dimitris-Gogos Bayanderas by George Kiousis, November 24, 2018 View the full interview here
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Proceedings of the rebetiko seminar-meetings in Skyros are posted on the website of the seminar. Among others you can find a historical and sociological approach of the development of rebetiko song, the names of the musical scales (dromoi) in rebetika, historical references to the life and work of great composers, singers and skilled players of rebetiko (Thanasis Manetas, Costas Bezos (A. Kostis), Marika Papagika, Panagiotis Tountas, George Mitsakis, Giannis Papaioannou, Costas Kaplanis), even for not famous but not less important musicians of the interwar period (Kostas Faltaits, Grigoris Asikis, Dimitris Atraidis, Giakoumis Montanaris, Costas Tzovenos, Stavros Pantelidis) but also personal information for the not famous Urban musicians.
Historical data for Mortes, Koutsavakia and Magkes. You can also find Fado and rebetiko social relationships, an interesting approach titled “women in rebetiko” by the rebetiko researcher Gail Holst-Warhaft, an approach to the dances of 9, information about the flowering of rebetiko in Piraeus, the imprints of rebetiko in the neighborhoods of Piraeus, the growth of rebetiko in Thessaloniki and of course the rebetiko in Finland as well as personal revelations how the rebetiko touches our soul.