…Even our heart suffers and pains
is fully occupied and “drifted” by love
and with bouzouki and guitars
sings softly and sweet like a bird…
In January 2019, a tribute was realized for Yiannis Papaioannou entitled ” I travel with your taximi!” at the Greek Music Center “Fivos Anogianakis”. Collection and presentation of the material by G. Makris and music editing by Sp. Goumas.
“Opou Giorgos ke malama” A theatrical-musical performance dedicated to the poet-composer George Mitsakis in a dramaturgical treatment by George Makris based on the book “George
POSPLA street market sellers strike Concert at Syntagma Square on May 2, 2014 with the “Parapetamenoi”
At the portokaliradio program “Memories of Sounds” 4-2-2016 Kostas Giannakopoulos hosted George Makris on the occasion of the event “Footprints of rebetiko in Piraeus neighborhoods”.
Seminar / Concert Rebetiko: The Greek Urban Folk Music of the 20th Century. In 30 April 2015 we had a tribute to the Rebetiko song
Press publica George Makris: «The nostalgy of a rebetis» by George Kiousis March 21, 2016 View the full interview here
“Once Upon at Lemonadika” a story on the “Lemonadika” square of Piraeus with poor devils, rebetes, with simple ambitions, everyday people with low profile… and
© 2020 parapetamenoi.gr, made with by TUSKS, all rights reserved
Proceedings of the rebetiko seminar-meetings in Skyros are posted on the website of the seminar. Among others you can find a historical and sociological approach of the development of rebetiko song, the names of the musical scales (dromoi) in rebetika, historical references to the life and work of great composers, singers and skilled players of rebetiko (Thanasis Manetas, Costas Bezos (A. Kostis), Marika Papagika, Panagiotis Tountas, George Mitsakis, Giannis Papaioannou, Costas Kaplanis), even for not famous but not less important musicians of the interwar period (Kostas Faltaits, Grigoris Asikis, Dimitris Atraidis, Giakoumis Montanaris, Costas Tzovenos, Stavros Pantelidis) but also personal information for the not famous Urban musicians.
Historical data for Mortes, Koutsavakia and Magkes. You can also find Fado and rebetiko social relationships, an interesting approach titled “women in rebetiko” by the rebetiko researcher Gail Holst-Warhaft, an approach to the dances of 9, information about the flowering of rebetiko in Piraeus, the imprints of rebetiko in the neighborhoods of Piraeus, the growth of rebetiko in Thessaloniki and of course the rebetiko in Finland as well as personal revelations how the rebetiko touches our soul.