…Even our heart suffers and pains
is fully occupied and “drifted” by love
and with bouzouki and guitars
sings softly and sweet like a bird…
ERT 1 National range TV network, performing a variety of a program titled “my mind is spell bound…” 30/4/01 and 1/5/01 during a live broadcast by the researcher Panos Savvopoulos.
The Cultural center dieleusis with the music group “Parapetamenoi”, the Association of Greek Arts and Evmaros Publications in collaboration with City of Athens Culture, Sports
Tribute: “The woman in rebetiko and folk song”. Organized by the General Secretariat for Gender Equality and the Equality Research Center. With the bouzouki solist
“Rebetiko’s Footprints in Piraeus Neighborhoods”. 21 and 22, March 2014 we presented a tribute to the “Rebetiko’s Footprints in Piraeus Neighborhoods” at the Piraeus Municipality’s
Radio interview of George Makris of “Parapetamenoi” at “105.5 on red” 22-11-2019 by Thanasis Lazaridis on the radio program “The remains of a Day”.
Interview to flash.gr and George Kiousis January 13, 2020. A presentation of the activities of the musical form of “Parapetamenoi” by Spiros Goumas, musician and
POSPLA street market sellers strike Concert at Syntagma Square on May 2, 2014 with the “Parapetamenoi”
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Proceedings of the rebetiko seminar-meetings in Skyros are posted on the website of the seminar. Among others you can find a historical and sociological approach of the development of rebetiko song, the names of the musical scales (dromoi) in rebetika, historical references to the life and work of great composers, singers and skilled players of rebetiko (Thanasis Manetas, Costas Bezos (A. Kostis), Marika Papagika, Panagiotis Tountas, George Mitsakis, Giannis Papaioannou, Costas Kaplanis), even for not famous but not less important musicians of the interwar period (Kostas Faltaits, Grigoris Asikis, Dimitris Atraidis, Giakoumis Montanaris, Costas Tzovenos, Stavros Pantelidis) but also personal information for the not famous Urban musicians.
Historical data for Mortes, Koutsavakia and Magkes. You can also find Fado and rebetiko social relationships, an interesting approach titled “women in rebetiko” by the rebetiko researcher Gail Holst-Warhaft, an approach to the dances of 9, information about the flowering of rebetiko in Piraeus, the imprints of rebetiko in the neighborhoods of Piraeus, the growth of rebetiko in Thessaloniki and of course the rebetiko in Finland as well as personal revelations how the rebetiko touches our soul.