…Even our heart suffers and pains
is fully occupied and “drifted” by love
and with bouzouki and guitars
sings softly and sweet like a bird…
On Saturday 23/4/22 12.00-1400 Themis Rodamitis and George Makris in the radio show of Themis Rodamitis “Our city” of “Voice of Greece” present the journey of Greek music in America that accompanied the Greek immigrants to their difficult journey in the late 19th and first half of the 20th century. Do not miss it!
State Radio 105.8 FM on 27/4/2001, 6/2/2002, 28/12/2002 and in May 2003 on the broadcast of Panos Savopoulos in a
Presentation of the music group of “Parapetamenoi” and live recording in the music bar “Makari”. TVC (private TV channel) 27/1/2005.
Presentation of the work of the “Parapetamenoi” in Rebetika and Smyrna songs at 105.5 in “red” 13/1/08 by Stelios Elliniadis.
Interview for Seminar-Meeting in Skyros” “105.5 in red” 23-06-2013 in the program of George Xylouris with songs and discussion in
Radio interview of Spiros Goumas, George Makris and Thanasis Vlachos 13-9-2014 at “105.5 in red” by Alexis Vakis.
Radio interview by George Makris and George Charatsis on “Sports FM” Thanasis Lazaridis radio program at 19-4-2015.
At the portokaliradio program “Memories of Sounds” 4-2-2016 Kostas Giannakopoulos hosted George Makris on the occasion of the event “Footprints
George Makris interview with the “Parapetamenoi” at “105.5 on red” 25-10-2018 by Thanasis Lazaridis in the “Remains of a Day”
Two-hour radio interview at “105.5 in red” by Thanasis Lazaridis 26-7-2019 with talk and live rebetiko music with “Parapetamenoi”
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Proceedings of the rebetiko seminar-meetings in Skyros are posted on the website of the seminar. Among others you can find a historical and sociological approach of the development of rebetiko song, the names of the musical scales (dromoi) in rebetika, historical references to the life and work of great composers, singers and skilled players of rebetiko (Thanasis Manetas, Costas Bezos (A. Kostis), Marika Papagika, Panagiotis Tountas, George Mitsakis, Giannis Papaioannou, Costas Kaplanis), even for not famous but not less important musicians of the interwar period (Kostas Faltaits, Grigoris Asikis, Dimitris Atraidis, Giakoumis Montanaris, Costas Tzovenos, Stavros Pantelidis) but also personal information for the not famous Urban musicians.
Historical data for Mortes, Koutsavakia and Magkes. You can also find Fado and rebetiko social relationships, an interesting approach titled “women in rebetiko” by the rebetiko researcher Gail Holst-Warhaft, an approach to the dances of 9, information about the flowering of rebetiko in Piraeus, the imprints of rebetiko in the neighborhoods of Piraeus, the growth of rebetiko in Thessaloniki and of course the rebetiko in Finland as well as personal revelations how the rebetiko touches our soul.