…Even our heart suffers and pains
is fully occupied and “drifted” by love
and with bouzouki and guitars
sings softly and sweet like a bird…
A musical journey on Greek Urban popular song: Rebetiko, Smyrna song and related Genres. Organized by Tomer Katz for a group of Israel. With live music by solist Spiros Goumas and the rebetiko ensemble “Parapetamenoi” (neglected ones). December,4 2015 “ARION” Hotel, Athens Greece.
“Once Upon at Lemonadika” (2019-2020) a story on the “Lemonadika” square of Piraeus with poor devils, rebetes, with ambitions of simple, everyday people without colours
Musical Presentation “Mortes-Koutsavakia-Magkes” in November 2017 at Multicultural center “dieleusis” with the help of digital and photographic material. Collection and presentation of digital material by
Radio interview of Spiros Goumas, George Makris and Thanasis Vlachos 13-9-2014 at “105.5 in red” by Alexis Vakis.
“The Other World” November 1, 2016, Anna Faltaits, Vice President of the Museum “Manos and Anastasia Faltaits” presented the work of the journalist Konstantinos Faltaits
POSPLA street market sellers strike Concert at Syntagma Square on May 2, 2014 with the “Parapetamenoi”
In January 2019, a tribute was realized for Yiannis Papaioannou entitled ” I travel with your taximi!” at the Greek Music Center “Fivos Anogianakis”. Collection
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Proceedings of the rebetiko seminar-meetings in Skyros are posted on the website of the seminar. Among others you can find a historical and sociological approach of the development of rebetiko song, the names of the musical scales (dromoi) in rebetika, historical references to the life and work of great composers, singers and skilled players of rebetiko (Thanasis Manetas, Costas Bezos (A. Kostis), Marika Papagika, Panagiotis Tountas, George Mitsakis, Giannis Papaioannou, Costas Kaplanis), even for not famous but not less important musicians of the interwar period (Kostas Faltaits, Grigoris Asikis, Dimitris Atraidis, Giakoumis Montanaris, Costas Tzovenos, Stavros Pantelidis) but also personal information for the not famous Urban musicians.
Historical data for Mortes, Koutsavakia and Magkes. You can also find Fado and rebetiko social relationships, an interesting approach titled “women in rebetiko” by the rebetiko researcher Gail Holst-Warhaft, an approach to the dances of 9, information about the flowering of rebetiko in Piraeus, the imprints of rebetiko in the neighborhoods of Piraeus, the growth of rebetiko in Thessaloniki and of course the rebetiko in Finland as well as personal revelations how the rebetiko touches our soul.